By using different photographic techniques and layers, this serie ques- tions the materiality of the body and the skin. By their physical properties, paper and flesh are intimately linked. They are living materials that age, deteriorate and tear over time, inscribing indelible traces as the memory of a moment lived.
The wefts of impressions, the defects, the textures of paper and organic materials appearing on the images make the sensory materiality of these layers visible. The analogical modifications highlight the relationship to touch, the central meaning of the research, as much by the process as by the result.